After King’s X parted ways with their manager/producer, Sam Taylor, after their eponymous fourth album in 1992, it was only a matter of time before their Lennon/McCartney-esque pair – bassist Doug Pinnick and guitarist Ty Tabor – found additional creative outlets in solo and side projects. 

In some ways this album has more world music and folk than anything else in the TagYerit catalog.

This is arguably TagYerit’s best album. At least I like it better than the rest.

The concept of bands doing albums of covers seems to be a trend that’s gotten popular in the last decade.

Fusion is, by definition, a combination of rock and jazz sounds.

When I got this disc I was told that it was progressive rock. I have to say that when I first put it in I didn’t think that was true. As I listened to more of the album, though, I’d have to agree for the most part.

This is a unique album. The music here really runs the gamut.

This is a disc based on the book of “Exodus.” Just that knowledge makes this a concept album.

The latest disc from Celtic proggers Tempest is Double Cross and it's a very strong addition to the band's catalog. While I personally don't find it as potent as their last one Shapeshifter, that's more a matter of personal taste than anything. 

This box set shows just how much integrity and talent Tempest has. The Celtic based prog rock outfit could have simply put out a collection of their best known pieces and added in a few unreleased gems here and there.

Fans of Jethro Tull should really check this album out. This is good solid rock, in the vein of Tull, but with a more solid Celtic tradition. 

Although 1999's 10th Anniversary Compilation included new recordings of the group's older material, this disc is the first album of truly "new" songs by this band since 1997's Gravel Walk. 

Brazilian band Tempus Fugit have released an intriguing disc with Chessboard.

I remember associating these guys with Ozzfest (although looking back, I don’t think I ever saw them at that festival).

Where this disc shines is in the songwriting that combines progressive rock sounds with classic rock textures and psychedelic elements.

I reviewed the previous release from this act, and liked it quite a bit.

I have liked everything I’ve heard from these guys so far.

This group has produced an album with a sound that’s hard to categorize and pin down. In some ways it’s very catchy.

The music here should appeal to fans of classically tinged progressive rock.

This album from Manfred Mann’s former lead singer is a strong live set.

Steve Thorne is one of the great unsung British prog heroes, a veritable one man band who has released a series of consistently well-crafted and thought-provoking solo albums, Crimes & Reasons being his fourth.

With long time Rush producer Terry Brown manning the boards on this one, and a cover designed by Hugh Syme (also well known for his association with that band), the comparisons to that Canadian trio are to be expected. Truly, this group does have some common ground as far as sound with the band. 

Richard Andersson always produces music that straddles the line between epic metal and progressive rock. Here I'd say he crosses more into the latter category than the former, but it's a close call.

The hard-edged modern progressive rock that makes up the music here shares some territory with Tool, but is more proggy and often quite melodic.

This is a project created by Tohpati, best known as the guitarist for Simak Dialog.

Previously I thought that Tohpati’s name was “Tohpati Ethnomission” because of a previous release, but since this one came out under the name “Tohpati Bertiga,” I’m guessing it’s just “Tohpati.”  

With various sections feeling a bit like different acts, this is music that sits pretty well along the fence between progressive rock and heavy metal.

How much guitar soloing can the human brain take before it shuts down? That might be one question this disc poses.

It takes cajones to record an album consisting of your fifth or sixth performance ever as a band. But if you're as talented as the guys in Transatlantic, nerves are perhaps the only problem.

This is a live album featuring Theo Travis and Robert Fripp.

Tri State Corner is a multi cultural rock band with Greek string instrument the bouzouki.

I’ve got this one listed in progressive rock because a lot of it reminds me of the space rock of Hawkwind.

First off, in a very general sense, this is easy to label – progressive rock.

We get a lot of jazz and classical in the mix here.

This is a band that blew me away when I was younger and it’s nice to have a chance to review this title.

I like this disc a lot. Of course, I’m a big fan of space rock and these guys clearly fit there.

Russia bears mystery and curious allure to many advanced musicians from the West.

Perhaps this doesn’t fit under progressive rock, but really I think it is a solid fit.

This is a female fronted progressive rock band from the Pacific Northwest, with a strong metal feel.