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Progressive Rock CD Reviews
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Fairport Convention - The Woodworm Years
Review by Steve Alspach
Fairport Convention is a cornerstone band in folk rock music, having been around since 1967 (except for a six-year respite in the early 1980s).
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Fall of the Leafe - Aerolithe
Review by Gary Hill
When you talk about hard-edged neo-prog the easy approach is to compare it to Dream Theater. Well, there are moments here that do call to mind that band a bit, but really that influence is understated and pretty minor.
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Famlende Fors0k - One Night I Had a Frightful Dream
Review by Gary Hill
Another album based on the works of H. P. Lovecraft, this is one of the cooler ones out there. It is a little hard to find, but well worth the effort.
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Far Corner - Far Corner
Review by Josh Turner
This is unbelievably accessible for avant-garde. As far as instrumental music goes, it's as catchy and experimental as Kopecky.
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Farflung - A Wound in Eternity
Review by Gary Hill
I should start with a few words about the inclusion of this review in the progressive rock section. Most people consider space rock to be a sub-genre within progressive rock.
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Farpoint - First Light
Review by Josh Turner
There is a lot of debate over what may or may not be progressive rock. Farpoint would be a great place to start for anyone who might be wondering.
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Farpoint - Grace
Review by Josh Turner
The album is equal to the debut, but not entirely equivalent. The music is booming and bombastic in this release.
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Farpoint - From Dreaming to Dreaming
Review by Josh Turner
In this album, they've finally found the winning ticket and they cash it in for a fun-filled romp in Willy's Chocolate Factory.
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Fatal Fusion - Land of the Sun
Review by Gary Hill

Perhaps some of this album doesn’t fit firmly in the progressive rock realm, but overall I am confident putting the whole thing there.


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FeedForward - Barefoot & Naked
Review by G. W. Hill
Walking the fine line between progressive rock and metal, I'd say this disc comes in barely on the prog side of the festivities.
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FeedForward - Upstream
Review by G. W. Hill

Some might suggest this album land in the heavy metal category. Yes, it has a lot in common with epic metal, and some sections fall into that zone.


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Fernwood - Sangita
Review by Scott Montgomery

This is a real gem!  It’s one of the most deliciously satisfying albums that I have heard all year.  


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Ferris Mudd - Ferris Mudd
Review by Bill Knispel
Ferris Mudd (the band) is a trio hailing from Alabama. Comprised of Steve Richard (lead vocals, lead guitar, guitar synth, acoustic guitar), Danny Dicus (bass, acoustic guitar, keyboards, backing vocals), and Lester Meredith (drums, percussion, keyboards, acoustic guitar, backing vocals), the band writes and performs progressive rock with a heavy melodic emphasis.
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Bryan Ferry - Orchestra - The Jazz Age
Review by Larry Toering

This is essentially a collection of jazz versions of various tracks between Ferry’s solo and Roxy Music material.


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Chris Field - Sub-Conscious
Review by G. W. Hill

The music on Sub-Conscious fits somewhere along the intersection of progressive rock, new age and electronic music.


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Sean Filkins - War and Peace & Other Short Stories
Review by Alison Henderson

One of the great legacies of English prog rock is its continuing additions to its anthology of albums at whose heart is the storyteller’s art.


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First Band From Outer Space - Impressionable Sounds of the Subsonic
Review by Gary Hill
If you believe the hype on these guys they are from outer space. Well, even if that is true, I don't think they are the "first band" from outer space.
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Fish - Communion
Review by Gary Hill
Fish got his start as the lead singer in Marillion – or at least that’s when he got his first taste of fame. For my money, he is the greatest lyricist around.
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Fish - Vigil in a Wilderness of Mirrors
Review by Tim Jones
Vigil in a Wilderness of Mirrors is Fish's first solo project after leaving Marillion. The singer-poet gets off to a great start.
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Fish - Internal Exile
Review by Gary Hill
The lineup on this album is Fish(Derek W. Dick), Mickey Simmonds, Robin Boult, Frank Usher, David Paton, Ethan Johns, Ted McKenna and assorted side-musicians. Internal Exile was released in 1992.
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Fish - Field of Crows
Review by Steve Alspach
Scotland's favorite 6'5" singer (well, how many are there, really?) returned in 2003 with a new CD. Using the figure of the crow as a thematic center to the album, there is a unity to many of the songs in this CD.
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Fish - Raingods With Zippos
Review by Gary Hill
While moving in fresh and original directions, this album also captures some of the magic of Fish`s former band Marillion. It seems to take progressive rock to another stage, utilizing much of the magic and beauty of the format, while bringing a new accessibility to the style.
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Fish - Yang
Review by Gary Hill
Part of a 2 CD combination of "Yin" and "Yang", this disc is a collection of Fish rarities and alternate takes. The reworks of Marillion tracks are some of the highlights of the album, but really it is all quite interesting.
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Fish - Yin
Review by Gary Hill
Along with the companion CD "Yang", this album contains many rarities, reworkings ad other items of interest from Fish's career. This one is especially noteable because of the appearance of Steve Howe (Fish's take on "Time and a Word") and the Sensational Alex Harvey Band ("Boston Tea Party").
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Fish - 13th Star
Review by Gary Hill
I first became a fan of Fish in his Marillion days. For my money the CD’s that group released when he was the front man were the best of their career.
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Josh Fix - Free At Last
Review by Gary Hill
On the one hand this is some killer pop rock. On the other hand it’s progressive rock in the same way that Queen was progressive rock.
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Flamborough Head - Tales of Imperfection
Review by Gary Hill
Fans of Renaissance should really like this CD. The truth of the matter is, though that fans of any classic progressive rock band should enjoy this.
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Flash - Psychosync
Review by Gary Hill
When Peter Banks left Yes, he formed the band Flash. The group, rightly so, sounded quite a bit like early Yes.
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Flash - Out of Our Hands
Review by Gary Hill
The final studio disc from Flash, this is probably the least consistent of their albums.
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Flash - Flash
Review by Gary Hill
This was the first studio album from Peter Banks’ post Yes band Flash.
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Flash - In The Can
Review by Gary Hill
The second album from Peter Banks’ first post Yes band, this one finds the group producing some of the best material.
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Pamela Fleming - Fearless Dreamer
Review by Gary Hill
Essentially a jazz album, this work does include influences of prog rock and more pop oriented music. The disc is a very enjoyable listen and features some fine musicianship from all of the players.
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Pamela Fleming - and Fearless Dreamer - Climb
Review by Gary Hill
Pam Fleming's second CD, Climb continues with the progressive rock rooted firmly in jazz fashion that her first disc presented. The disc is a fairly sedate one, but a definite winner.
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Flower Flesh - Duck in the Box
Review by G. W. Hill

The mix of sounds on this disc is cool. It ranges from classic progressive rock elements that can compare to Yes, ELP, Starcastle and others.


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The Flower Kings - The Sum of No Evil
Review by Josh Turner
When I receive a Flower Kings’ album, it’s a personal event of the utmost importance. The only problem is finding a long-enough lunch, a shady tree to idle under, or a stretch of asphalt that’s sufficiently-straight.
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The Flower Kings - Paradox Hotel
Review by Steve Alspach
You gotta admire the Flower Kings' work ethic. On the heels of Roine's solo album "Wall Street Voodoo" comes the latest album from Sweden's no. 1 progressive group, and it's a 2-CD set to boot.
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The Flower Kings - Adam and Eve
Review by Steve Alspach
They're nothing if not prolific. Sweden's Flower Kings are back with another excellent offering of lengthy numbers and shorter, more accessible tunes.
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The Flower Kings - BetchaWannaDanceStoopid
Review by Josh Turner
How can this be strictly improvisational jams? It's not possible.
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The Flower Kings - Unfold The Future
Review by Steve Alspach
Sweden's most prolific progressive band returns with another two-CD album of songs that shows the band's willingness to try any and all musical styles. Fans of this band will find this to be another excellent album in the band's catalogue.
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The Flower Kings - The Rainmaker
Review by Gary Hill
The Flower Kings return with their latest dishing of their particular flavor of progressive rock. The group typically has a style that is very hard for journalists to keep up with because it changes so briefly.
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The Flower Kings - Space Revolver
Review by Gary Hill
The newest release from the Flower Kings finds them both staying true to their trademark sound and moving in new and unusual directions. We definitely find signs of both on this potent album
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The Flower Kings - Stardust We Are
Review by Gary Hill
This album is the latest by Swedish band The Flower Kings. Featuring a fresh approach on influences from many classic prog bands, this is a strong release.
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The Flower Kings - Flower Power
Review by Gary Hill
The Flower Kings sound contains elements and leanings of the classic prog of the '70's, but is definitely still their own. Since the Stardust We Are disc, the band's writing skills seem to have matured.
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The Flower Kings - Alive on Planet Earth
Review by Gary Hill
This live album by The Flower Kings shows that they are not just a studio phenomenon. The disc should be evidence to the prog fan that this band is one to catch live as well.
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Floydhead - The Floydian Propulsion Project
Review by Gary Hill

Pink Floyd fans will surely be the most obvious audience for this, but they will probably be the hardest to sell on it, too.


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Fluid Time - Live at JJ Kelly's
Review by Gary Hill
This live disc is a first release of sorts from this Chicago area band. The CD is not really an official release, but just something that they put out to give people a chance to hear them at home.
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Flurries - My Darling, The Glass Was Always Half Empty
Review by Larry Toering

Another progressive rock band to come out of the Pacific Northwest is Flurries.


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Flying Colors - Flying Colors
Review by Larry Toering

Flying Colors, for once in a long time prove that rock music can still be everything it's supposed to be in a landscape that constantly attempts to limit it.


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Flying Machines - Flying Machines
Review by Gary Hill
Maybe this doesn’t really belong in progressive rock. Sure there is a lot of alternative rock meets pop built into this album.

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Forever Einstein - Racket Science
Review by Gary Hill
I know it's early in the year, but I can say with certainty that Forever Einstein have cinched at least a couple of titles with their latest release. The winner for 2005 for the most unusual and creative song titles (and longest ones, too) will almost positively go to Forever Einstein.
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Forever Einstein - One Thing After Another
Review by Gary Hill
This is a very unique, creative and enchanting album. For fans of unusual guitar based instrumentals, this one is nearly a "must have".
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Forever Twelve - Talking Forever
Review by G. W. Hill

The lead vocals on this album are of the female variety.


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Forgas Band Phenomena - Soleil 12
Review by Bill Knispel
Patrick Forgas has a career in music stretching back over 30 years. 

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Forms of Things Unknown - Cross Purposes
Review by Josh Turner
This is a rare breed meant for a niche crowd. It is part of clan that was prevalent in the soundtracks of seventies sci-fi movies.
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41Point9 - Still Looking for Answers
Review by Gary Hill

This is modern progressive rock with a real leaning on the guitar end of the spectrum.


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Jack Foster III - Tame Until Hungry
Review by Gary Hill
Jack Foster III is building up quite a catalog of killer hard-edged modern progressive rock. Tame Until Hungry is his latest, and as in the past he’s joined by (among others) Trent Gardner and Robert Berry on this.
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Jack Foster III - Raptorgnosis
Review by Gary Hill
While I don't think this entire album truly qualifies as progressive rock, much of it does. Add to that fact the presence of prog rockers Trent Gardner and Robert Berry and it should be obvious why I put the disc into that category.
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4th Ward Afro Klezmer Orchestra - Abdul the Rabbi
Review by G. W. Hill

Perhaps this doesn’t fit under the heading of progressive rock, but personally, I’ve always felt that music that bends genre and combines things normally not combined is progressive.


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Fractal - Sequitur
Review by Gary Hill
This is an intriguing disc that melds newer prog stylings (think Radiohead and Porcupine Tree) with modern King Crimson and older stuff like Kansas, Pink Floyd and Yes.
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Fractale - Suranné
Review by G. W. Hill

This is instrumental music that borders between progressive rock and jazz.


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Frame Shift - An Absence of Empathy
Review by Josh Turner
The previous album, Unweaving the Rainbow, put forth a respectable effort. It was decent and the concept was certainly interesting.
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Frame Shift - Unweaving the Rainbow
Review by Steve Alspach
I'm never sure where to classify albums like this - is it a concept album, a thematic album, or what?
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Frames - Mosaik
Review by Gary Hill

It’s really hard to put together an all instrumental album and make it work beginning to end.


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John Orr Franklin - Transformation
Review by Gary Hill
John Orr Franklin regards his music as progressive rock, and I agree. It seems that many prog purists would be likely to disagree, though.
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Rob Fried - Wind Song
Review by Gary Hill
Progressive rock is an elusive beast to pin down, particularly when it gets into fusion.
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Fripp & Eno - Beyond Even (1992-2006)
Review by G. W. Hill
This is a collection of previously unreleased collaborations between Robert Fripp and Brian Eno. As one might imagine the majority of this music is firmly rooted in atmospheric territory.
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Fripp & Eno - Evening Star
Review by Gary Hill

Anyone looking for the powerhouse music that you tend to expect from King Crimson here will be disappointed. This is an atmospheric work, but there is still plenty of Fripp to be found within.


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Fripp & Eno - No Pussyfooting
Review by Gary Hill

This is difficult CD to write about. It’s certainly hard to delve deeply into these tracks and describe them. .


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Robert Fripp - Exposure
Review by Steve Alspach
Robert Fripp's first solo album (not counting the side projects with Brian Eno) was considered "A Day in the Life" for the 1970s. Fripp proves himself to be the "21st Century Schizoid Man" because this album runs the gamut from harsh metal to more ambient dreamscapes.
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Hasse Fröberg and the Musical Companion - Powerplay
Review by G. W. Hill

Hasse Fröberg is probably best known for his work with The Flower Kings, but he’s done quite a bit of other stuff over the years.


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Frost - Milliontown
Review by Josh Turner
I’m sure you’ve heard of a one-hit wonder. Well, that usually refers to a single sing-able song. In this case, this entity could be categorized under a classification that’s much rarer: a one-album-wonder.


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Frozen Ocean - Frozen Ocean
Review by Scott Montgomery

I found this band after listening to their music on their My Space site.


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Furyu - Ciò che l'anima non dice
Review by Gary Hill

Certainly some will question putting this album in the progressive rock category.


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The Fusion Syndicate - The Fusion Syndicate
Review by G. W. Hill

What an amazing set this is.


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Fuzz Beloved - Fuzz Beloved
Review by Gary Hill
Fuzz Beloved is a close relative to both Imogene and Ludivine. It is vaguely prog rock, but also encompasses the sounds of psychedelia.
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