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Progressive Rock CD Reviews
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Peter Gabriel - Up
Review by Steve Alspach
Peter Gabriel has always been one to have a keen lookout on where music is, or where it's going.
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Peter Gabriel - Ovo
Review by Steve Alspach
Peter Gabriel was one of the masterminds of the Millennium Dome in the East Docklands of London. The Millennium Dome was to be a multimedia-based attraction to celebrate the Millennium.
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Peter Gabriel - Peter Gabriel
Review by Gary Hill

With this disc Peter Gabriel continued to confound the record label by releasing it under just his name.


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Peter Gabriel - Live Blood
Review by G. W. Hill

This live album is rather unusual.


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The Gak Omek - Return of the All-powerful Light Beings
Review by Josh Turner
They have an extremely weird name, but the band makes seriously good music. It's structured entirely around neo-progressive instrumentals.
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The Gak Omek - Alien Eye
Review by Gary Hill
While there are several artists listed as being responsible for this release, a careful eye will note that the names of all but one are a shill. This is a one-man project by Robert Burge
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The Gak Omek - Nonrenormalizability
Review by Gary Hill
The alien musical entity known as “The Gak Omek” has produced a new CD of thrilling instrumental progressive rock.

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The Galactic Cowboy Orchestra - All Out of Peaches
Review by Gary Hill

The easy description for this is “instrumental music dominated by violin.”


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Galahad - In A Moment of Complete Madness
Review by Gary Hill
Galahad originally released this album as a cassette to sell at their shows. As orders grew, it eventually became this CD, augmented with a few bonus tracks
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Galahad - Battle Scars
Review by G. W. Hill

Combining classic with modern progressive rock, the new disc from Galahad is a strong one.


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Galahad - Beyond the Realms of Euphoria
Review by Alison Henderson

Releasing two albums of new material in the same year could be seen as either a big gamble or foolhardy.


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Galahad Acoustic Quintet - Not All There
Review by Gary Hill
A spin-off of Galahad, Galahad Acoustic Quintet seems to be a group that have a few sides to their nature. Portions of the album feel like a modern take on minstrel music.
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David Galas - The Cataclysm
Review by Gary Hill
Prog purists – don't send the hate mail. I know this isn't what you'd call prog rock. Still, it's not far from some of the more modern Marillion or Blackfield.
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John Galgano - Real Life is Meeting
Review by G. W. Hill

Best known for his work in Izz, John Galgano delivers a tasty progressive rock album here.


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Gamma - Gamma 3
Review by Larry Toering

Ronnie Montrose, along with Davey Pattison on vocals, Mitchell Froom on keys, Glenn Letsch on bass and Denny Carmassi on drums, made three records between 1979 and 1982.


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Gandalf's Fist - Road to Darkness
Review by Gary Hill

I received this album and had little warning of the joys about to unfold. After a few listenings it’s become one of my all time favorite discs.


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Gandalf's Fist - The Master and the Monkey
Review by Gary Hill

The debut disc from Gandalf’s Fist, this isn’t the masterpiece the 2011 release is, but it is a fine album that shows a lot of promise. 


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Gandalf's Fist - Stakes at Low Tide Single
Review by Gary Hill

Over half a minute longer than the version from the album, this single is, of course, similar to that song.


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Gandalf's Fist - From a Point of Existence
Review by G. W. Hill

When I reviewed the last disc from Gandalf’s Fist, I heaped some high praise on it.


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Gargamel - Watch For Umbles
Review by Gary Hill
Formed in the new millennium in Norway, the band's sound would never give you that impression. Their sound would give you the impression that they were creating music in the Europe of the early 1970's.
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Daniel Gauthier - The Wish
Review by Gary Hill

Prog purists should take note of this new album.


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Gazpacho - When Earth Lets Go
Review by Josh Turner
The definition of elegance is something that's simple, but effective. Gazpacho meets this definition to a tee.
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Gazpacho - Missa Atropos
Review by Larry Toering

This is a band that’s hard to categorize, which shoots it far into prog territory for my ears. Gazpacho, is from Norway and have a very conceptual approach.


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Gazpacho - March of Ghosts
Review by G. W. Hill

This is likely to make a lot of people’s best of 2012 list.


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Genesis - Duke (SACD and DVD set)
Review by Greg Olma
A lot of people were crying “sell out” when Genesis released …And Then There Were Three. Although they basically shifted their sound away from progressive and moved it more in a commercial pop sound, they still kept some of the elements to keep a few prog fans happy (but not many).
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Genesis - And Then There Were Three
Review by Gary Hill
There are those out there who basically think that any Genesis album once they were a three piece is just plain pop tripe. Well, I have to tell you that I think you are wrong.
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Genesis - Calling All Stations
Review by Gary Hill
This album has been causing as much controversy among Genesis fans as Open Your Eyes has among Yes fans. Again many really like the album, while others hate it.

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Genesis - Wind and Wuthering
Review by Gary Hill
The second album from Genesis after Peter Gabriel left the fold, this one is rather maligned by a lot of prog fans. That's a shame because this one is really very good.
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Genesis - A Trick of the Tail
Review by Josh Turner
There are substantial differences between the old and new Genesis. Some prefer one style to the other.
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Genesis - Live
Review by Steve Alspach
An import for a number of years, Genesis Live is a rather good document of the band during its heyday in the early 1970s. Recorded in some small town halls, the sound may not be all that great, but there's no denying the talent displayed by Messrs. Banks, Collins, Gabriel, Hackett, and Rutherford in their early days.
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Genesis - Trespass
Review by Gary Hill

Trespass was the second album from Genesis. It was the final one to feature Anthony Phillips on guitar.


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Genesis - Abacab
Review by Gary Hill
For fans of Genesis the sounds they put out in the eighties could be considered anti-Genesis.
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Genesis - Nursery Cryme
Review by Gary Hill

This disc is one of my favorites from Genesis.


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Genesis - Three Sides Live
Review by Gary Hill
There are actually two versions of this double disc set out there. Unfortunately, this is the harder one to find.
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Genesis - Turn It On Again – The Hits
Review by Gary Hill

This Genesis compilation, as the second part of the title says, focuses on the band’s hits.


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Genesis - The Way We Walk – Volume 2 – The Longs
Review by Gary Hill

Those who think that the Phil Collins era of Genesis was nothing but pop drivel are wrong.


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Genesis - Invisible Touch
Review by Gary Hill
Certainly this is one of the most pure pop discs Genesis ever produced. That makes it a real thorn in the side to the prog head Genesis fans.

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Genesis - Genesis
Review by Greg Olma
Say what you will, Genesis would not have grown to the heights they achieved if Peter Gabriel was fronting them.  
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Genesis - Selling England By The Pound
Review by Greg Olma
This record from 1973 is the predecessor to the behemoth The Lamb Lies Down On Broadway.  
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Genesis - Foxtrot
Review by Gary Hill

Foxtrot might not get the attention that is afforded to Genesis works like The Lamb Lies Down on Broadway, but it is really an incredible piece of work that should be in the collection of any Genesis fan or progressive rock fan in general.


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Genre Peak - Ends of the Earth
Review by Gary Hill
I’ve always felt that a lot of the more moody new wave music of the 1980’s had a lot in common with progressive rock. It seems to me that Hogarth era Marillion turns to some of that sound for their inspiration.
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Genre Peak - Preternatural
Review by G. W. Hill

It took me a while to review this CD. You really have to be in the right mood.


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Gentle Giant - Live in New York 1975
Review by Gary Hill
This live album from Gentle Giant has been reissued into the modern era. As one might expect from a live disc from that time period, the recording isn’t quite up to modern standards. That said, it still sounds generally good.


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Gentle Giant - Santa Monica 1975
Review by Bill Knispel
Gentle Giant just recently celebrated their 35th anniversary with a series of reissues of their classic studio output.  Alongside this series of reissues, a number of live albums and compilations have been released, of varying quality and varying interest to both the hardcore Gentle Giant fan and the nouveau audient.

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Gentle Giant - Octopus
Review by Bill Knispel
Gentle Giant is perhaps one of the most difficult progressive bands to get into. Their mix of canon and baroque vocal parts, counterpoint and medieval musical arrangements kept them from being immediately accessible.
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Gentle Giant - Free Hand - 35th Anniversary Collection
Review by Steve Alspach
Capitol Records got hold of Gentle Giant in the mid-70s, and the band's first Capitol release, "The Power and the Glory," may not have been up to standards. Though a fine album, it may not have been up to the standards that the band had set for itself.
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Gentle Giant - In a Glass House - 35th Anniversary Edition
Review by Steve Alspach
Back in the early 1970s Columbia Records had Gentle Giant in their stable, but a problem of density kept Columbia (or anyone else in the states) from releasing "In a Glass House," the band's fifth album: density in the band's arrangements, and density on part of the A&R men who couldn't figure out the band or the music.
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Gentle Giant - Playing the Fool
Review by Steve Alspach
Gentle Giant, at the time that this record was released, had a legacy of albums that demonstrated that the band was able to combine flat-out rock with some of the more complicated counterpoint arrangements found in progressive music.
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Gentle Giant - Acquiring the Taste
Review by Steve Alspach
Few bands could throw a wider arsenal of musical styles then Gentle Giant in their early days. Acquiring the Taste, perhaps doomed by its gaudy album cover, may not have had the success it deserved, but musically it's second to none.
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Gentle Giant - Three Friends
Review by Gary Hill
This disc from Gentle Giant is a great one. All fans of old school prog should pick it up.

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Gentle Giant - Missing Piece
Review by Gary Hill

This Gentle Giant disc consists of a lot of fairly short compositions. The tracks are in many cases more straight ahead rock and roll.


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Gentle Giant - Giant For A Day
Review by Gary Hill

This is definitely not the most prog like album in Gentle Giant’s catalog. Still, there should be enough real progressive rock here to please fans of the genre.


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Gentle Giant - Power and the Glory – Remastered
Review by Gary Hill

Another of the new series of Gentle Giant remasters, this is actually one of my favorites from the band.


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Gentle Giant - In A Glass House – Re-mastered
Review by Gary Hill

One of a series of new remasters of Gentle Giant discs, this one represents their classic In A Glass House album.


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Gentle Giant - Free Hand – Remastered
Review by Gary Hill

Another of the new remasters of classic Gentle Giant albums, this is a good one. Of course, when you are talking about GG, you really can’t go wrong.


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Randy George - Action Reaction
Review by Grant Hill

Virtuoso bassist Randy George began writing instrumental music around 1989 and wanted to ultimately showcase his writing and performance talents in a solo release.


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Martin Gerschwitz & Friends - Bridge to Eternity
Review by Sonya Kukcinovich Hill
Martin Gerschwitz has played with many of the best. Among many other well known artists, his extended work with Meat Loaf, Eric Burdon and the Animals, and currently as keyboardist and vocalist for Iron Butterfly, this product of Germany has made the USA his home since the eighties.


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Ghost Circus - Across The Line
Review by Gary Hill
I like the folks at Prog Rock Records; I really do. With a label named “prog rock,” I really need to support these guys, too
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Giant Squid - Metridium Fields
Review by Gary Hill
It seems as though the boundaries of what is "progressive rock" are always a somewhat steadily changing and elusive border. Surely part of what the original progressive bands were doing was throwing away all boundaries in favor of simply creating.
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Giant Squid - The Ichthyologist
Review by Gary Hill
Let’s be perfectly clear here. I know that prog purists will shake their head at Giant Squid being included in the progressive rock section of Music Street Journal.
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Adam Gilbert - A Generation of Forgotten Kings
Review by G. W. Hill

Here we have quite an intriguing album. I’ve included it in the progressive rock section of Music Street Journal, but I could understand some folks quibbling with that label.


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Kevin Gilbert - The Shaming of the True
Review by Josh Turner
I really love every aspect this album: the title, the artwork, and apparently, the melodies and verses. I would consider this the best album never truly finished by its creator.


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Ian Gillan - Band – Clear Air Turbulence
Review by Larry Toering

This record takes a few words to describe what’s really going on with it, and being a fan of Ian Gillan it’s appropriate to explain a few things in the process of reviewing this with as much of an unbiased approach as possible. 


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David Gilmour - On An Island
Review by Lorraine Kay
On an Island is the most recent solo CD by Pink Floyd guitarist and vocalist David Gilmour.
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David Gilmour - David Gilmour
Review by Gary Hill

This was David Gilmour’s first solo album. 


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David Gilmour - About Face
Review by Larry Toering

About Face is not your average run of the mill piece of work from David Gilmour, but that was the intended purpose, as he said when he released it.


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Glass - Illuminations
Review by Gary Hill
Glass was a progressive rock band from the 1970's that many never heard about. For those who did, though, there was a wealth of talent to be had. C
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Glass Hammer - Culture of Ascent
Review by Gary Hill
Let me just say that this is pretty much without question one of the best progressive rock releases of the year. It’s not perfect, but comes pretty close


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Glass Hammer - The Inconsolable Secret
Review by Steve Alspach
I admired Glass Hammer's previous work, "Shadowlands" - heck, anyone who would do a prog reworking of Dan Fogelberg's "Longer" has my vote - well enough to check out their latest offering, and I'm glad I did.
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Glass Hammer - Shadowlands
Review by Steve Alspach
If you like your music with lots of keyboards and anywhere from 8 to twenty-some minutes long, Glass Hammer is the band for you. Led by multi-instrumentalists Fred Schendel and Steve Babb, Glass Hammer has released its eighth album.
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Glass Hammer - Cor Cordium
Review by Scott Montgomery

This one is a rather a guilty pleasure – a pleasure to be sure, but one that at times feels almost too derivative for comfort.  


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Glass Wave - Glass Wave
Review by Gary Hill

This might not be the most obvious choice for progressive rock, but it surely fits from my point of view.


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Brett Gleason - The Dissonance
Review by Gary Hill

I’ve read a few reviews of this disc that just plain trashed it.


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The Mike Glendinning Band - The Mike Glendinning Band
Review by Gary Hill
Perhaps this isn’t actually progressive rock, but I think the argument to put it in that category is stronger than the argument not to put it there.
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Mike Glendinning - Random Acts of Grunge Jazz
Review by Jeremy Seffens

With a unique sound that is entirely his own, Mike Glendinning sets up the perfect face for “grunge jazz.” The inspirations for this disc are as numerous as the sounds portrayed, giving the listener an overall feeling of relaxation without worry.


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Evelyn Glennie - Drumming
Review by Steve Alspach
Never one to adhere to convention, Drumming is Evelyn Glennie in one of her frequent exploratory moods.
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Roger Glover - And The Guilty Party – If Life Was Easy
Review by Larry Toering

After eight long years The Guilty Party return with an even more widely varied collection of well written and played tunes that just about anyone can enjoy.


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Roger Glover - And The Guilty Party – Snapshot
Review by Larry Toering

Roger Glover assembled some fine musicians in the shape of Warren Haynes and daughter Gillian, and called them “The Guilty Party.”


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Gnô - Cannibal Tango
Review by Gary Hill

This French outfit is a trio and there sound is sometimes described as “Pantera meets the Beatles.”


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Goldbug - The Seven Dreams
Review by Gary Hill

This is definitely not a disc that’s for everyone. It’s very freeform. At times it’s jazz like.


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Goldenbats - Goldenbats II
Review by G. W. Hill

Atmospheric music, this was a little tough to review for Music Street Journal.


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Gosta Berlings Saga - Tid Ar Ljud
Review by Gary Hill
This disc should please fans of old school instrumental prog, but it also has definite RIO leanings. You might hear Yes or Genesis in the mix of one track, but then catch an echo of Pink Floyd or King Crimson on another.
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Guthrie Govan - Erotic Cakes
Review by Mark Jordan
There's a lot of guitarists that are heralded as "The Next Greatest" but there are relatively few that actually live up to the hype. I came across Govan whilst surfing the web about 12 months ago and the demo clips of him improvising to some taped backing tracks blew my mind.
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GPS - Window To The Soul
Review by Josh Turner
Spock’s Beard is prog rock’s pop equivalent. Dream Theater is prog rock’s metal equivalent. And The Flower Kings are prog rock’s jazz equivalent. So what is GPS? 
 

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Green Carnation - Acoustic Verses
Review by Gary Hill
Prog fans might not have heard of these guys. It seems that they are a spin off project of a thrash band, and often times move more into the prog metal vein.
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Green Milk From the Planet Orange - City Calls Revolution
Review by Gary Hill
Once upon a time there was only 1970's style progressive rock. The musical textures were based on folk, classical, electronic fusion jazz, psychedelia and other forms of hard rock - but never any real heavy metal influence.
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Clay Green's Polysorbate Masquerade Band - Chronicles of Bubbledroid
Review by G. W. Hill

Sometimes progressive rock can be too sterile and technical.


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Jeff Green - Jessica
Review by G. W. Hill

Jessica is Jeff Green’s still-born daughter and this album is really a tale of coming to grips with that loss.


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Mark Green - Fantasy Bridge
Review by Alison Henderson

Mark Green is a British-based composer, keyboard player and vocalist who has finally made this his debut album after some recent trials and tribulations, significantly his recent recovery from cancer.


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Dave Greenslade - The Pentateuch Of The Cosmogony
Review by John Pierpoint

This is a recent CD reissue of a spectacularly ambitious full-colour book and double-album project from 1979.


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Grey Lady Down - Star-Crossed
Review by Gary Hill
Grey Lady Down seem to be a band that are trying to combine a more metallic approach with a very traditional progressive rock basis.
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Greylevel - Opus One
Review by Josh Turner
If Mr. Holland were to do progressive rock, this might be the source of his inspiration.
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Tom Griesgraber - Whisper in the Thunder
Review by Gary Hill
Featuring guest appearances by Jerry Marotta, Pat Mastelotto and the California Guitar Trio, and with the fact that Griesgraber's instrument is the Chapman Stick, one might expect this disc to sound like Tony Levin's solo material.
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Todd Grubbs - Return Of The Worm
Review by Larry Toering

After his last outing Time, Space and Electric, Todd Grubbs returns with a strong and very playful concept. 


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Gryphon - Glastonbury Carol
Review by Gary Hill
If you ever want to hear a band go "medieval on your @$$" - literally - this is a good place to start. While bands like Jethro Tull, Gentle Giant, or Fairport Convention would pay good homage to renaissance-era music, Gryphon immersed themselves in this kind of style.
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River Guerguerian - Grooves for Odd Times
Review by G. W. Hill

OK, this might not fit into the category of progressive rock.


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Guido's Hand - Ictus
Review by Bill Knispel
Guido’s Hand hails from Atlanta Georgia, though they were educated at Valdosta State University. With extensive musical schooling, one can be certain that the musicians (brothers Joe and Gabe Monicello and Kevin Williams) have the instrumental technique to play complex progressive rock and fusion.
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Guill and Jem - Two Signals
Review by Gary Hill

Putting together an album of purely instrumental music and having it work start to finish isn’t easy.


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Guitar Garden - China Rose
Review by Gary Hill
It's not uncommon these days to find Celtic or even Middle Eastern sounds incorporated into rock music. Traditionally Chinese music, though is a different story.
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The Gun and Doll Show - American Radio Two
Review by G. W. Hill

American Radio Two by The Gun and Doll Show is an album unlike any other.


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Trey Gunn - The Joy of Molybdenum
Review by Gary Hill
A side project of King Crimson member Trey Gunn, this disc may well be an early contender for best CD of the year. The disc combines Crimsonesque tones in very listenable grooves that really work well.
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Trey Gunn - Music For Pictures
Review by Gary Hill
This CD is a collection of tracks that Trey Gunn did for film scores between 1998 and 2006.
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Trey Gunn - Marco Minnemann – Modulator
Review by Gary Hill
This is an intriguing disc – both in concept and delivery. Marco Minnemann recorded a massive drum solo several years ago.

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Trey Gunn - I’ll Tell What I Saw (1993 – 2010)
Review by Gary Hill

This compilation disc shows a lot of versatility. It features recordings released by various projects that featured Trey Gunn. Most of it is instrumental, but there are some vocals.


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Gunnelpumpers - Tritonium
Review by G. W. Hill

What a unique set this is. It features some serious space rock meets jazz meets classical and progressive rock.


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Gunnelpumpers - The Nth Wave
Review by G. W. Hill

This is really an intriguing instrumental outfit.


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Gunnelpumpers - Symphonie Improvisé
Review by G. W. Hill

Performing purely improvised music is often a daunting experience.


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Gunslinger - Earthquake in E Minor
Review by Gary Hill
This nearly went into heavy metal. Certainly it could. There are two reasons it didn’t.
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Gunslinger - Unlawful Odds
Review by G. W. Hill

I love Alan Davey’s current band Gunslinger.


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Pontus H.W. Gunve - Movements
Review by Gary Hill
Those who like melodic instrumental progressive rock will enjoy this.
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Pontus H.W. Gunve - Cavalry of Camels (Digital Single)
Review by Jason Hillenburg
Superbly produced and the product of advanced songwriting skills, Pontus Gunve's single "Calvary of Camels" has a progressive rock flavor, but there's a much subtler process working here than pouring old wine into new bottles.
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Pontus H.W. Gunve - The Observer
Review by Jason Hillenburg

There are few musicians in the mold of Pontus Gunve.


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Trilok Gurtu - with Simon Phillips – 21 Spices
Review by Gary Hill

Let’s address one thing up front, the music here is probably not progressive rock.


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The Guy - Only Human
Review by Gary Hill
“The Guy” is “Christopher Shreiner. He’s joined on this CD by David Livolsi on bass, Tyger MacNeal on drums and Chris Coogan on keyboards (on two tracks).
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