|Track by Track Review
Actually two songs (Beauty Queen and Horses), this one begins with a very sparse piano accompanying nearly accapella vocals. This Beauty Queen segment is very unusual. As it moves into the other half of the piece, a beautifully classically tinged piano segment emerges. This is quite a lush, intricate and dramatic piece.
This is a harpsichord-based cut with rather gritty lyrics. It features some very unusual vocal work at times.
This arrangement is somewhat playful and includes horns and some nice vocal layering.
A harpsichord based rocker, this is another strong cut with some unique vocal moments. Segments here almost have a modern Crimsonish arrangement.
This is a fun, short cut with a vintage sort of sound.
This pretty, moody and reflective number features a pretty and lush arrangement, and is really quite effective.
|Caught A Lite Sneeze|
This is a percussion based number with pop sensibilities. The percussion here sounds a bit Phil Collinsish.
|Muhammad My Friend|
After a solo piano intro, this is a pretty piano and vocal number.
A beautiful and dramatic piece, this standout cut really builds and delivers.
A very brief and odd sort of song, this is a bit bluesy, but definitely a bit in the mode of Kate Bush.
Another that is Bush influenced, this is a progish cut with r & B and blues elements.
|Not the Red Baron|
This is a pretty piano and vocal based melody.
Agent Orange is a brief and quirky cut.
A pretty and brief piano intro leads to a progish cut. This is a strong cut, that at times features intricate piano work.
|In The Springtime of His Voodoo|
This bluesy cut has a very nice walking bass line. "Standing on a corner in Winslow Arizona, And I`m quite sure I`m in the wrong song." At times this one has some definitely gritty lyrics, and it features a segment that almost feels like an acoustic version of Kiss` Black Diamond.
|Putting the Damage On|
Another pretty and moody progish ballad, this one has a rather lush arrangement.
This is a moody piano and vocal number.
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