Perhaps this isn’t the tightest fit under prog. We put fusion under progressive rock, though, This isn’t precisely fusion, either, but it does seem to move outside of standard mainstream jazz zones. However you label it, though, this is powerhouse jazz music. Other than the closing track, it’s all instrumental, and it works well from start to finish.

Starting mellower and a little tentative, this evolves gradually. It does get more intense further down the road. It also becomes more experimental and freeform in some ways, while still maintaining an overall mainstream jazz vibe.

While there isn’t a big change here, I really love the vibe of this number, and the piano solo is so amazing.

This gets into some really cool Latin territory at times. I love the bass and percussion showcases at various points along the road. The whole thing really just works so well, though.  This thing gets so powerful at times. In fact, this is one of my favorites on this whole album.

Starting more tentatively with more of a single instrument arrangement, the cut builds out into dramatic jazz that definitely leans in on the fusion side of things as it continues. This is another standout track that might be my favorite here. There are some intriguing twists and so much drama and power.

This cut features some cool extended bass soloing mid-track. It’s another potent jazz romp overall.

While this is another effective cut, it lands a bit more in the middle of the pack. That’s more about how strong this set is as a whole than it is any kind of weakness.

The energy and groove on this track are both great. This is another strong tune on a disc full of strong material.

There is a world music vibe to this cut. This is a traditional Mexican song, and the title translates to “The Witch.” Of course, this arrangement takes to new places. The piano solo section on this thing is absolutely on fire.

Now, this is a big change. It has vocals. The lyrics literally name off a bunch of condiments. This is a fun groove. It works out to instrumental territory beyond that section. That part feels more in line with the rest of the album. The vocals return beyond that extended movement.