Track by Track Review
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The Quest |
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Main Title
There is a sense of mystery, drama and beauty to this. It’s symphonic and has a real magical feel to it. |
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The Pond
There is a sense of building and drama in this. The dynamic range between mellower and louder sections is pretty wide. |
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Monster Rises
Drama and a sense of foreboding are heard on this track. It’s powerful and stunning at times. It has a lot of energy. |
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Enter Cody
This has a lighter energy and air to it. Things seem more right with the world here. |
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Down The Rails / No Brakes
Energetic symphonic music is on the menu here. This feels like it could have fit in as part of the soundtrack to a western at times. |
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Devil's Knob
Gentler and pretty, there is a sense of nature to this. |
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Cody To The Rescue
This has some seriously dramatic moments. There are some more triumphant ones, too. This is a varied piece of music. |
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Pulling The Girls Ashore
Another piece with a lot of drama in it, some of the melodies on this really resonate with me. |
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Charlie Pride
A magical, swirling kind of arrangement gives way to something more playful as this continues. It eventually turns rather menacing and dangerous sounding. |
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Back At The Pond
There are some cool melodies at times on this. The number has a healthy helping of variety and is intriguing and varied. |
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Cody Takes A Swim
There is a real sense of danger on this track. It’s loaded with drama. |
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Underwater
This has a sense of wonder to it. |
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The Secret Of The Pond
Drama is delivered in healthy quantities here. |
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Cody's Frog Dream
There is a lot of weirdness built into this track. |
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Finale And End Credits
This brings more of a joyful vibe as it ends the first soundtrack here. |
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The True Story Of Eskimo Nell |
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Opening Title And Mexico Pete's Arrival
There is a sense of gentle majesty in some ways on this number. |
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The Window And The Flight
There is a seeming contrast between gentle, playful sections and more menacing ones as this cut works forward. The second half of this has more of a triumphant sounding sense of adventure. |
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The Frozen North Love Theme
This is quite pretty and rather gentle in nature. |
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The Alaskan Kid
With a sense of danger and mystery built into it, this is intriguing. |
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Hey Fellas It's Eumerella
This piece feels playful. |
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Elly's Tune And The Frozen North
More dramatic and exploratory in nature, there is some magic built into this. |
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The Stage Coach
There is suitably some Western music concept at play here. |
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Camel Trek
Dramatic and a little playful, there are hints of desert music here. |
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Camel Arrival At The Goldfields
Continuing with themes from the previous piece, this also brings some Western textures. It feels like musical theater in a lot of ways. |
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The Mine Chase
There is a pretty wide range of volume levels here. The showcases a lot of drama. It’s quite a bit longer than a lot of the things here. |
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Alcoholic Aftermath
This is a weird little playful piece of music with muted horns and other things creating a sense of being out of it.
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The Womper Song
This number actually has vocals. It turns instrumental modes after that part of the track. |
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The Snowy Trek
There is a lot of magic and drama built into this piece. It gets fairly powerful before it’s over. |
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Eskimo Nell's Hotel Prelude
This playful pieces sounds like it would be at home in the background of a cartoon. |
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Mexico Pete's Theme
A classy, symphonic piece I really dig this. |
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Dead Eye Dick's Reprise
This is mellower and more thoughtful. |
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The Frozen North Theme
Pretty and seeming to paint pictures with sound, there is an expansive vibe here. |
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Main Title Theme (The Womper Song)
This does a nice job of tying up a lot of the musical vibes from the rest of the soundtrack and turning them into a satisfying conclusion. |
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