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The Carrie Armitage Quartet

The Carrie Armitage Quartet

Review by Gary Hill

I previously reviewed a solo album from Armitage. I liked that one quite a bit, but this set is even stronger. In fact, this album is likely to make my "best of 2024" list. The vocals on the release are non-lyrical, but they show up on nearly every song here. I would think of this album more as fusion. While this isn't best suited for track by track review, each track has its own identity. I like this set so much.

This review is available in book (paperback and hardcover) form in Music Street Journal: 2024  Volume 3 More information and purchase links can be found at: garyhillauthor.com/Music-Street-Journal-2024.

Track by Track Review
Ambient Orbit
Drums start things here, and the group launch out into some smoking hot fusion with rubbery bass sounds at their core from there. This is so classy.
The Dreaming Light

I really dig the great jazzy groove on this number. It has some scat singing. There are some hints of world music here.

Planet 9

Energetic and rather funky, this groove features some particularly effective instrumental interplay. This has some seriously edgy guitar at times.

The Crystal Forest

Fusion merges with more progressive rock oriented stuff. This has more non-lyrical vocals. It's a classy cut with a lot of style.

Figments

This one also has vocals. It's a classy fusion piece with some soaring vibes. Everyone really shines on this number.

The Heartbeat Potential

The funk is back with a vengeance here. This cut has such tasty grooves in place. There is a smoking hot bass solo later in the track.

Nightingale

With plenty of non-lyrical vocals, this piece has a real soaring vibe to it. They put in quite a cool jam on this number.

ORBIT L2

Featuring killer bass and guitar work, this is some amazing fusion. This works through some shifts and changes, but really turns out into some of the most powerful jamming of the whole album late.

Star Men
While the general concept is not altered, this is another tune that has its own identity.
Nocturne

This has some a particularly prominent vocal arrangement. The track has a great energy and works exceptionally well.

Long Shadows

I really love the keyboards on this so much. The guitar has some pretty cool moments, too. Then again, the whole track works well.

As The Crow Flies

I really like the way the keyboards and vocals work together on this number. The piano and guitar are both noteworthy, too. This is a soaring number that's one of the standouts here.

Flying Colours

Here we get more tasty fusion. This has great performances from everyone involved and some killer tones and melodies. The bass really shines brightly at times with its funkiness.

Aria Vespertine

The vocal presence here is top-notch. The whole tune grooves and drives forward with style and charm.

Natural World

There is no great reshaping of the musical world here. Instead, it's another great fusion piece. I do dig the spacey elements over the top at times on this.

 
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