This new five-CD collection is pretty amazing. I've said before, and will repeat it here, that this new version of King Crimson might well be the best lineup they've had, particularly in terms of live shows.
Beat Review by Gary Hill Of the trio of studio albums originally released by this version of King Crimson, this was the middle child. It was also a little less adventurous than either of the other two.
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Discipline Review by Steve Alspach These were interesting times for Robert Fripp, ye olde scholastic of the progressive rock scene. In 1978 he had released Exposure, an album that he described as "A Day in the Life" for that period.
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In honor of the 40th Anniversary of the Earthbound album King Crimson have released this deluxe set. It's an amazing release, too. First, you get the original album with three bonus songs added to it.
Happy With What You Have To Be Happy With Review by Julie Knispel Happy With What you Have to be Happy With was the second consecutive EP release from King Crimson, and presented a look at additional material that would, along with the instrumentals presented on the Level Five EP, form the majority of the band’s (at the time) forthcoming studio album The Power To Believe.
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Islands Review by Julie Knispel King Crimson’s Islands album (1971) marked two milestones. On one hand, it was the band’s return to live performance, as Crimson had not played any live shows since December of 1969.
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This is quite an interesting set. It's been released in honor of the 50th Anniversary of King Crimson's Larks' Tongues in Aspic album. We get two CDs here along with two Blu-Rays.
Larks' Tongues in Aspic Review by Gary Hill This album is kind of a legend in King Crimson circles. People have such a high reverence for it.
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Level Five Review by Julie Knispel Following the “research and development” phase that was the ProjeKCts, King Crimson resumed its most recent return to recording and performance. Having jettisoned Bill Bruford (who returned to primarily jazz playing via Earthworks) and Tony Levin (who returned to live work with long time collaborator Peter Gabriel), Crimson recorded and released the more electronic album The ConstruKCtion of Light in 2000.
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It seems that there is quite a bit of live material being released from this version of King Crimson. That's a great thing because this line-up might be the best ever.
Lizard Review by Julie Knispel Lizard is one of two “lost” King Crimson albums. Generally overlooked in favor of either the megalithic debut release or the embryonic prog metal that made up the band’s mid-1970’s output, Lizard shows the band moving more toward Robert Fripp’s musical ideals and concepts.
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Lizard – 40th Anniversary Series Review by Gary Hill The third King Crimson album, this version is part of the 40th Anniversary series of reissues. It is presented here in a few ways.
I have to say that for my money, the modern incarnation of King Crimson really is probably the best. The reason I say that is that there are distinct periods of the band throughout their history.
Red Review by Gary Hill For my money, Red is King Crimson's most consistent and powerful album. The disc combines the hard edged sound that I think works the best for Crimson with both highly accessible and very creative song writing to produce an album that holds up exceptionally well.
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For me Red has always been King Crimson’s ultimate album. I know, there are those who will point to Larks’ Tongues…, but personally I think this one is more cohesive and to the point.
Starless and Bible Black Review by Gary Hill King Crimson have always been one of the most creative and innovative bands out there. When you expect them to jab they dodge and when you think they are going to dodge you’d better duck.
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The Construkction of Light Review by Gary Hill King Crimson has always been an enigmatic group. The band has basically had three previous incarnations; '60's/'70's, '80's and the '90's versions. More...
The Great Deceiver, Vol. 1: Live 1973-1974 Volume 2 Review by Gary Hill This, along with Volume 2, is a reissue of a 4 CD set that came out in the 1990’s. It captures the Larks Tongues In Aspic / Starless and Bible Black era King Crimson in a series of live shows.
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The Great Deceiver: Live 1973-1974 Volume 2 Review by Gary Hill Here we have the second set of live Crimson tracks just reissued. See my review of Volume 1 for more information about this release overall.
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The Power To Believe Review by Gary Hill Since its formation in the late 1960's King Crimson has never been content to stay in one musical place. They were one of the pioneers of progressive rock, and under the guidance of band leader Robert Fripp they have gone through many changes, both in terms of musical style and lineup.
Three Of A Perfect Pair Review by Gary Hill When King Crimson reformed in the 1980’s to create the Discipline album the sound they presented was quite different from the classic Crimson of the 1970’s. While I liked all of the discs from this Belew, Bruford, Fripp and Levin lineup, I still preferred the “old school” stuff.
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USA Review by Steve Alspach Robert Fripp's decision to knock King Crimson on the head may have been a shock to some, but it seemed like the right thing to do at that time.
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VROOOM Review by Julie Knispel 10 years following the dissolution of King Crimson following a trilogy of world and gamelan influenced albums, the band quietly rejoined forces in a small studio in Woodstock New York to create a new band and a new sound.
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DVD Reviews
King Crimson - Eyes Wide Open DVD Review by Julie Knispel Following two plus years as a “double trio,” and nearly two years of fractionalization through a series of ProjeKCts, King Crimson returned to active duty in 2000 as a streamlined quartet with the album TheConstruKCtion of Light. A second album in this newer “double duo” format titled The Power to Believe, followed in 2003.
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King Crimson - Neal and Jack and Me DVD Review by Julie Knispel King Crimson’s ‘return to the throne’ in the 1980’s must have been viewed with a degree of skepticism. The band made a name for themselves in the 1970’s with their dark blend of symphonic grandeur and intense heaviness, mixed with an improvisational spirit that would drive them to push every song and performance into parts unknown.
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I had never seen the mighty King Crimson play live before - not surprising, as I was only ten years old when the band last played my home town in 1974!
King Crimson Interview by Gary Hill Interview with Pat Mastelotto of King Crimson from 2009
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Book Reviews
King Crimson - In the Court of King Crimson written by Sid Smith Review by Steve Alspach Few bands in progressive rock have a more colorful past than King Crimson. As Sid Smith says in the preface, the history of King Crimson is the "triumph of spirit over adversity. And sometimes the triumph of adversity."
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Related Articles
Trey Gunn Review by Gary Hill Interview with Trey Gunn from 2007
Stick Men is a unique power trio. Founded by legendary and still cutting edge bassist / Chapman Stick artist, Tony Levin, Stick Men continues to expand the horizons of modern progressive music. With the departure of fellow Stick artist Michael Bernier, Austrian touch guitar master, Markus Reuter, has joined King Crimson band-mates Levin and drummer Pat Mastelotto for one of the most impressive forays into modern music. Absalom represents the first recorded portion of a planned longer CD release from Stick Men.
My impression of Absalom is that with the first listen, you’ll likely immediately be drawn into the expansive diversity of styles, sounds, and textures spread through this highly enjoyable and musically advanced EP. I have been listening to this collection for several weeks, and I can only say that the songs are growing even more on me. Each listen gives the opportunity to hear a different relationship of sounds I hadn’t noticed on the prior listen. This is very, very good music of our era. I highly recommend this album.