This 1996 release (just getting reissued) was the final studio album for the initial run of Xentrix. It seems heavier and more nu-metal in some ways to me. It also features a new singer (Simon Gordon). I have to admit that some of the time his voice doesn't work that well for me. When he goes for the Halford-like screams, though, he's really got it. This album feels a lot different than the rest of their stuff to me. It's still strong, but I think that I prefer the earlier stuff.

This review is available in book (paperback and hardcover) form in Music Street Journal: 2023  Volume 2. More information and purchase links can be found at: garyhillauthor.com/Music-Street-Journal-2023.

After a fierce introduction, this drops to a rubbery bass line for the entrance of the vocals. It makes me think of a cross between Megadeth and Faith No More. As it turns to more straight forward metal we get some Halford-like screams. This is unusual with an almost rap metal thing at play at times. It's also strong. It's another highlight of the set. It does earn a parental advisory. This thing just keeps changing and reinventing itself.