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	|  Yes
 
  The Extraordinary World of Yes  written by Alan Farley
 
  Review by Gary Hill
 
  On the            one hand you have to ask, "do we really need another book about            Yes?" Still, one of the charms/downsides to books is that they            represent a static point in time. Therefore with a band that is as vital            as Yes, they quickly become outdated. So, this is definitely the only            of the many books about the group that is essentially up to date. That            said, much of the material here isn't new - much of this story being            told time and time again in the previous books on the group. Still,            Farley does have a fresh take on some of the items, and I found much            of his analysis to be interesting, even if I didn't agree with all of            it. I also learned a few things that I had never heard before about            the band and was reminded of things that I had forgotten. In that aspect            this book would serve as a great introduction to Yes' history for the            uninitiated. For the Yes fanatics like myself, it's pretty much a foregone            conclusion that this is a "must have."
 
 The book            is not without its downsides, though. For one thing, Farley comes across            as Yes' biggest cheerleader ever. As I said, I'm a huge fan, but the            author, rather than taking a journalistic non-biased approach gushes            about them at all points. While it really generates a lot of enthusiasm            in the reader, it also isn't always totally accurate. Still, this exuberance            does really make for an interesting, if not totally precise read. Also,            I find that the section in the end (albeit a short one) regarding Yes            backstage and going into details about the tours (which really were            covered quite well in the main segments of the book) border on unreadable.            Also, Farley makes a point early on to break down Yes fans in terms            of demographics, and I just think that statistics like that, while provable,            are pretty unimportant to the story of Yes.
 
 The long            and short of it, this is a good book on the band. For those who have            never read a book about Yes, or would like to be caught up on their            history in the new millennium, it is an invaluable resource. It is well            written, if a bit too much of a cheerleading exercise. There are short            segments you might find yourself skipping over, but the bulk of the            book - the stories of the history of the group and the album by album            analysis and chronicling - are engrossing and very strong. I would also            have liked to have seen some photos of the band in the book, but it's            definitely worth having just the way it is. And, on a personal note,            I have to admit to enjoying being cited as a source three times in the            book. A note about the photographs, though, according to Farley "approximately            seventy photographs of YES are available online at the website for the            book at http://www.farley.ozefamily.com."
 
 This review is  available in book format (hardcover and paperback)    in                     Music Street  Journal: 2006 Volume 1 at lulu.com/strangesound.
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