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| Progressive Rock CD Reviews |
| Track by Track Review
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Fate Speaks – Explorer's Club
A beautifully intricate and emotional acoustic guitar intro serves as an appealing appetizer to the album. The track jumps into a very hard rocking groove very much in the vein of Dream Theater's Falling Into Infinity. Even the changes here have solidly DTish tones as the piece weaves a trail around many landmarks in its course. After a time, the song shifts from the tumultuous intro into the verse. This section is very much in the style of Magellan, as are the choruses to the piece. More stable musical ground is the status quo here, while still featuring plenty of progish musical exploration. The entire (without the acoustic section) is reprised here as an instrumental break. This piece does a very nice job of taking classic prog moments (ala Yes` Close To The Edge and King Crimson`s Red) and updating them in the manner of of the new wave of prog. “Fate Speaks” is a virtual maelstrom of musical mayhem. |
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Cat's Squirrel – From the Various Artists album To Cry You A Song
With a rather noisy intro, this solid blues rocker jams pretty well. The musicians here (Charlie Musselwhite, Derek Trucks, Mick Abrahams, Clive Bunker, Mike Summerland and Robert Berry) sound as though they are truly having fun with this. That makes it all the more fun for the listener, too. |
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Analog Kid -From the Various Artists album Working Man
A harder edged take on the Rush piece, the vocals here are definitely in a deeper register than Geddy Lee's, but quite effective. The guitar solo seriously shreds. The band on this cut is composed of Jack Russell, Michael Romeo, Mike Pinella, Mike Portnoy, Billy Sheehan and Brendt Allman. |
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Roadside America Medley – Bozzio, Levin, Stevens
This is a previously unreleased track from the powerhouse supergroup Bozzio, Levin, Stevens. It starts out sedate before a bluesy sort of textural jam takes it. They build this up gradually with textural tones. It moves out as it carries forward into an open fusion sort of approach, still very mellow in texture. Tony Levin leads the way here. This climbs slowly and deliberately. A little before the three and a half minute mark the tempo picks up and the group start to turn it more towards crunch. It eventually screams out in hard rocking abandon, Steve Stevens' guitar leading the way with an echoey, exceptionally tasty sound. You might hear hints of Hendrix nestled among the hard edged fusion tones on this. This turns into a power trio type of jam as it continues onward. I really like the almost garage band feel that a lot of the later parts of this have. This is a killer piece of music with a lot of changes and some exceptionally tasty instrumental work from all involved. |
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Screaming Head – Jordan Rudess
This is a screaming, metallic fusion scorcher. The keyboards soar over the arrangement like some kind of wild combination of guitar and electric violin. They changes and swirling patterns of sound create a powerful sound. Then around the minute and a half mark it slows down and twists into a dramatic jam that feels a bit like Red era King Crimson. The move through a series of prog rock movements from there, at times playful and at others just plain inspirational. This is another killer track. An ELP like segment takes it before the three minute point. It turns into fiery metallic fury still later and then moves back toward more fusion-like zones afterwards. This is one of the highlights of a disc that is full of highlights. |
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Things Ain't What They Used to Be – Niacin
A solid blues rocker, this one features guitar and vocals - rarities for Niacin. The guitar is provided by Steve Lukather and the vocals by Glenn Hughes. |
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Working Man - From the Various Artists album Working Man
The next cut on the CD is brought in by Sebastian Bach, Jake E. Lee, Mike Portnoy, Billy Sheehan and Brendt Allman and is a fairly faithful rendition, but a bit more polished then the original. Only Bach's vocals seem not to work quite as well as one would hope. Jake E. Lee creates a solo that at once emulates the original and creates a fresh texture and even gets a bit Hendrixish. The instrumental section to this one takes on a life of its own. |
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Cool Wind, Green Hills – Steve Morse
Sedate tones lead off this with a style befitting its title. They build up gradually from there. This becomes a fairly intricate and inspired jam that is all prog and very melodic. While this does eventually become more fully realized and powerfully arranged it never moves from its melodic prog ballad approach. It serves as a nice musical respite. |
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Time Crunch – Jordan Rudess
Techno textures lead into a metallic stomper that includes some of the heaviest music of the disc. This is like King Crimson meeting Emerson Lake and Palmer with a serious dose of steroids. Lest the prog purists be turned away they weave in periods of more melodic progressive rock and Rudess throws out some killer Keith Emerson like keyboard soloing. We get some more melodic fusion later and the number is quite dynamic and satisfying. |
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Anthem - From the Various Artists album Working Man
This early Rush rocker is presented in fine fashion here. It hardly seems possible, but Mark Slaughter's vocals feel even higher than those on the original recording. He is supported by George Lynch Deen Castronovo, James Murphy and Stuart Hamm. |
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Western Sabbath Stomp – Alex Skolnick Trio
This one stomps out in an electric blues abandon, complete with some tasty slide guitar. As one might expect, this turns metallic with a thick guitar sound and a nod to some Sabbath riffs – actually quite a nice sampling of them. This becomes very much along the lines of metal and is very different than the rest of the band's output, but with its combination of cowboy sounds, blues and Sab, how can you go wrong? It makes for a great conclusion to the disc – as it does on the Alex Skolick Trio CD it's taken from.. |
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