Øresund Space Collective is one of the most consistent acts on this (or presumably any) planet. Yet, each album is still different. They produce instrumental space rock that is created via improvisational playing. That means no two performances or albums will ever be the same. Yet, each album is strong. This four track set is no exception. One thing that's missing this time around are any numbers that would qualify as anything close to brief. The shortest track is over 17-and-a-half minutes long. The first three songs almost seem like one very long number, with each successive one coming right out of the one before it.

This review is available in book (paperback and hardcover) form in Music Street Journal: 2020  Volume 6. More information and purchase links can be found at: garyhillauthor.com/Music-Street-Journal-2020.

Sounds like space winds bring the track into being. Furious drums come in from there. I pounding, driving space rock jam emerges with some definite psychedelic sounds in the mix. As is the case with pretty much everything from this outfit, changes don't happen fast or suddenly, but rather emerge via gradual evolution. This piece really covers a good amount of ground. It works through various driving space rock sections and modes as it does so. It's a powerhouse and a great opening shot. The violin brings a lot of magic to the piece. The bass work is pretty exceptional at times, too. The whole thing rocks in great space music ways.