This definitely has a mellower, moodier modern prog element at play. There is industrial here, too. It is a cool rocker with some great shifts.

I know people think of Iggy and the Stooges as punk rocking or proto-punk at least. While the first movement of this does have a bit of a punk edge, overall it lands nearer to psychedelia. It even reminds me a bit of the Doors. When they scream out from there, it's into the kind of stuff one expects from the Stooges. It's angry and raw.

Now, here we get a full on blues number. This is great stuff. It's quite old school in treatment and delivery. It's also packed full of cool. The theatrical bit at the end is a bit over the top for my tastes, though.

In some ways this makes me think of The Buggles a bit. There are hints of reggae in the mix here, too. It has a lot of 80s music built into it, as well. All in all, this is intriguing stuff that works quite well. Screams and the sound of torture are heard at the end of this. The music drops away leaving just that. Then a narrative voice has some creepy things to say.

I can't hear this song without thinking of "Young Frankenstein." That said, I really like this electronic groove take on the cut. The vocals are true to the style of the song, but the musical textures are pure electronic. There is a bit of rap (the old fashioned type) on this along with some intriguing shifts as the cut continues. I love it when they bring some funk to the proceedings. This has a real dance music element in these extended portions.

The arrangement on this is mostly rhythmic and electronic. The instrumental section later brings this into more proggy territory.

It's DMX, so you have to have a good idea of what you are going to get. This is incredibly meaty and mean. I love the raps, and the whole tune just rocks. It does earn a definite parental advisory.

This is very heavy and yet melodic. It's packed with a lot of psychedelia. All that said, it has a real stoner rock vibe to it. This is trippy and dreamy. Yet those dreams are dark and have rough edges. I love this slow moving piece of music.

I am enamored with this one, too. It has a cool retro sound that's tempered with something more fuzz laden and modern. In some ways this has a sound that makes me think of Mazzy Star. Of course, the vocals add to that effect. Whatever you call it, though, this groove is great.

Psychedelia and space rock merge on this killer tune. It's closely related to stoner rock. I like this band quite a bit, and this is a great example of why. It's just such a tasty groove. A sitar driven section takes it into full psychedelia at the end.

I love the multiple layers of vocals on this song. There is almost a B-52s meets dreamy psychedelia vibe to this cut.

Keyboards start this in pretty waves of sound. It works out to a techno electronic kind of number from there. There are some great melodies here, along with a killer driving beat.

With lyrics in French, this is a bouncing rocker that has a lot of retro psychedelic rock and jazz built into it. It's just so cool. In fact, it's one of my favorites here.

This is a full on techno rocker that's quite cool. It makes me think of Nine Inch Nails and Powerman 5000 at the same time. It's catchy and meaty. It's mean and just works really well.

While the version here is an edited one, here's an idea of what I said about this song in the past: Rather strange and dark, this has some energy. It's electronic and rather symphonic with all kinds of layers of sound stacked around it. It somehow feels both organic and artificial. There are some shifts and changes, but overall nothing changes quickly on this.

This is very much an electronic keyboard based piece of music. It's along the lines of things like Kraftwerk and Synergy. There are some sections that sound like theremin.

A hard rocking industrial styled cut, this works well.

This piece really has a classical air to it. It creates a lot of tension. I can see how this would work particularly well in this type of film. It gets bombastic and rather frightening as it continues. There are some things that sound like sampled choral voices. There are also bits of creaking and crashing sounds in the mix. There is something that sounds like a train horn, too.

Extremely techno in nature, some of this is almost symphonic. Other parts are noisy and quite trippy. It's not far removed from something like Synergy or even Kitaro in some ways.

Very pretty and rather classical in nature, this is an exceptionally cool piece of music.

This is more of a dance styled techno piece. I love the vocals on it. The whole song is really powerful. There is a bit of a prog edge to it in a lot of ways.

Parts of this feel backwards tracked. It's electronic and quite odd. This gets quite trippy at times.

There is a bit more of a driving, pounding kind of vibe to this number. It is still electronic and rather trippy.

Dark and ominous, this is also quite symphonic. It gets into some pounding, dramatic territory as it moves forward. There are noisier elements further down this road. It's easy to see how it would fit into a movie soundtrack.

Atmospherics start things off here in a rather trippy, understated way. It's rather freeform with waves of sound coming and going. Simon House's violin really adds to the weirdness. This is over nine-minutes long. Despite the fact that it never really rises  up beyond textural territory, it doesn't feel overly long to me.

The vocals on this are in French. The cut has a cool trippy vibe during the vocal section. It works out to a techno rhythmic movement beyond that, though. The vocals rejoin over the top of that format.

This is more of a dance, techno number. It's good, but not one of my favorites here.