I would not be the first to say that their music has not held up over the years, because it obviously hasn't. Before we count them out completely, it is important to point out that Emerson demonstrated many innovations in music long before the digital age. These ideas would later influence other forms of progressive music. In a way, ELP, as they are commonly referenced, is the missing link between progressive groups of yesterday and today. It would later have its influence in the eighties on movie soundtracks and video games.

While our idea of showmanship nowadays is laser lights and explosions, Emerson performed some far out displays in a time where this was nowhere near the norm. It would still raise some eyebrows to this day. From what I've heard, Emerson would turn 360 degrees while playing a grand piano, ride his Hammond organ, throw knives at his equipment, lay flat out on stage with a Hammond on top of him, and even launch fireworks from his portable ribbon controller. He did all these stunts while playing the keyboards.

In a way, ELP is defined by their stage antics and live performances as their studio works. Nonetheless, if it came down to picking one album that showcased their skills, it would probably have to be this one.

This review is available in book format (hardcover and paperback) in Music Street Journal: 2003 Year Book Volume 1 at https://garyhillauthor.com/Music-Street-Journal-2003-and-2004/.