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Metal/Prog Metal CD Reviews

Enslaved

Axioma Ethica Odini

Review by Mike Korn

In this digital age where attention spans seem to be getting shorter and shorter all the time, there are those who say the "classic" album, where every song is part of a greater whole, is a thing of the past. Don't tell that to Enslaved. The eccentric and eclectic Norsemen have made a career of carefully assembling albums not just one song at a time, but literally one sound at a time.

Axioma Ethica Odini is the peak of their art. It is heavier, more direct and more compact than more recent albums such as Vertebrae and Ruun, yet it contains all the twists and turns that have made Enslaved one of the most innovative metal bands of the last 20 years. Despite its directness, you can find a lot of layering in each tune and the album as a whole flows together very well. That's always been an Enslaved trademark, but this time around, the record is very easy to absorb on first listen. The joy comes in picking up nuances later.

There's no longer any doubt...this band is one of the absolute best and Axioma Ethica Odini for me is the record of the year so far.


This review is available in book format (hardcover and paperback) in Music Street Journal: 2010  Volume 5 at lulu.com/strangesound.

Track by Track Review
Ethica Odini

Creaking, groaning sounds like a wooden ship sinking at sea serve as an intro before a powerful blazing fast riff takes over. This song is the most straightforward metal song Enslaved have done in over ten years, with Grutle's harsh vocals painting the way in true Norwegian black metal fashion.  Keyboardist Herbrand adds his clean melodic vocals on the punishing chorus and his rich organ work boosts the heaviness of the track. This is a terrific way to open the album and a real switch from the murkiness of Vertebrae.

Raidho
If anything, this starts out in even more headbanging fashion, with a driving catchy riff augmented beautifully by Herbrand's keys. Grutle's singing is even harsher here, yet the song drops in intensity for some almost cinematic sounding melodic breaks. This is a very engulfing, enveloping tune.
Waruun
A grisly death growl initiates this mid-tempo pounder, based around some complex riffs. This song has a very "Viking" feel to it and brings Enslaved's progressive leanings to the fore while still remaining very heavy. The vocal trade-offs between soothing cleans, monstrous roars and black metal rasps are brilliantly laid out with almost military precision. Only Enslaved is capable of creating a track like this.
The Beacon
If you were expecting any let up, forget it! This cut starts like a battering ram with a blasting, almost Hellhammer type riff that soon morphs into something deep and profound. A tribal Viking choir adds a primeval touch to the song. The way the Hammond organ tones are integrated into heavy guitar is just totally amazing! This is a really bombastic black metal song that will raise the hair on your neck!
Axioma
Here is the necessary cool down and dividing point of the album...a drifting synthesizer soundscape that is soothing and relaxing. An echoing voice speaks calmly but indistinctly in the background. "Axioma" marks the point of the album where longer, more progressive and slightly more atmospheric songs start take over.
Giants
The thunderous power chords that kick off this tune really do sound like giants are playing them. This song hails back more to the complexities of the Ruun album. It has a very dark and mysterious vibe, with doleful chanting mixing with some of the most bestial roars. Yet it’s also very uplifting in parts. With Enslaved, songs are like journeys, traveling through varied terrain until the climactic destination is reached.
Singular
This is about as good an example of mixing melody and harshness as you'll hear. Grutle's screams sound troll-like and tormented while Herbrand croons in soaring fashion, the two complimenting each other instead of working against the other.  This song covers a lot of ground and the guitar work of Ivar and Ice Dale is faultless as tempos and feels are swirled and shuffled. I can't think of another band that can combine black metal with progressive rock in this deep and energetic fashion.
Night Sight
This is the album's most unusual tune, starting out in a very laid back and relaxing style. It eventually builds to a speedy straight metal riff, but the overall feeling is mystical and progressive. I'd have to say it's my least favorite tune here, although that means it is just very good as opposed to outstanding. Your mood will determine how you take to it.
Lightening

Knowing these guys, I'm sure the spelling is intentional and there is a different meaning than the obvious to the title. The song itself continues in the dark and moody vein of "Night Sight,” but the keys are more epic and ominous. Just when I started to get a little weary, the band switched to a killer uptempo mood. It's just a tad too long and the ending is quite abrupt.

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